Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort.

In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ Film Prize and eight AACTA Award nominations including Best Film and Best Director. In 2020, the film was nominated for the Byron Kennedy AACTA for Best Indie Film of the past decade.

Before her role at Windmill Pictures for over 14 years, Rosemary was the Artistic Director of Windmill Theatre Company. A multi-Helpmann Award nominated theatre director, her productions have toured to prestigious venues and festivals across the world, including Giffoni Film Festival, Rooftop Film Festival New York, Sydney Opera House, New York’s New Victory Theatre and London’s Southbank Centre, among others. In 2017 she was awarded the prestigious Australia Council Theatre Award.

Roslyn Oades is an award-winning theatre-maker and documentary artist. She is best known for pioneering work in the field of headphone-verbatim theatre. Her original works for stage include: Hello, Goodbye & Happy Birthday, I’m Your Man, In a Deep Dark Forest, Cutaway–A Portrait, Stories of Love & Hate and Fast Cars & Tractor Engines.

She also creates site-based audio experiences, including: Cell 26 an audio work for a prison bed, Sea Stories an audio work for sunrise and The Nightline a listening club for insomniacs. She harbors an ongoing fascination with innovative creative non-fiction forms of art making.

Jonathon is an award-winning designer. He has designed for major theatre companies including Windmill, Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company of SA, Black Swan, Belvoir, LaBoite, Bell Shakespeare, Is This Yours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin, Vitalstatistix, Barking Gecko, The Border Project, Dead Puppet Society, The Last Great Hunt, The Escapists and Sandpit.

In 2023, he won an APDG Award for Beep and Mort Series 1. He designed Windmill’s feature film, Girl Asleep and won the ACCTA Award for Best Costume Design with a nomination for Best Production Design, as well as two APDG Awards. 

Fleur Elise Noble is a creator and an explorer – always seeking new ways in which to make art and share it with the world. Her superpower is her ability to focus obsessively on creative tasks. She was awarded scholarships from art schools in Adelaide and New York, where she studied drawing, painting, and sculpture. She went on to equip herself with an arsenal of creative forces, including puppetry, design, animation, film, projection mapping, performance, dance, writing and illustration.

Fleur is best known for her unique visual performances, which she spent many years performing at festivals around the world. Currently a PhD student at Flinders University, Fleur is writing a novel and designing a new performance for young people about digital addiction. She believes in the power of creativity to make complex ideas accessible and engaging.

Chris is a lighting and video designer from Adelaide, working across theatre, dance, and other live events in Australia and internationally.

Chris has worked with renowned arts organisations including State Theatre Company of South Australia, Theatre Republic, Is This Yours, Australian Dance Theatre, Brink Productions, Restless Dance Theatre, Slingsby Theatre Company, Force Majure, Windmill Theatre Company and Vitalstatistix.

Chris recently worked on the inaugural Illuminate Adelaide Festival’s Light Cycles in the Adelaide Botanic Gardens crafted by the world-leading studio, Moment Factory. Other recent credits include Carla Lippis’ Mondo Psycho for WOMAD 2022, Theatre Republic’s How Not To Make It In America and Windmill Theatre Company’s Creation Creation.

Carol was made in Australia and studied dance at the Victorian College of the Arts. She has extensive experience in performing, teaching and choreographing both nationally and internationally. From 1992 – 1999, she worked as a freelancer in London.

She was the assistant director for Garry Stewart and ADT (2000-2008), rehearsal director for Tasdance, Artistic advisor and Project manager Restless dance Theatre, Movement lecturer Flinders University Drama department, member Board of Directors, Australia Council, Ausdance and SA and Audio Describer for theatre and dance. Carol’s work with Windmill Theatre Co includes The Wizard of Oz, Girl Who Cried Wolf, Pinocchio, Big Bad Wolf  and Rumpelstiltskin.