Clare is an award-winning director and theatre-maker. She was the Artistic Director of Black Swan State Theatre Company from 2016 to 2022. Previously, Clare was Artistic Director at St Martins collaborating with children and teenagers. Her work has been presented by Malthouse Theatre, Melbourne Theatre Company, State Theatre Company South Australia, Sydney Theatre Company, Edinburgh Festival and Adelaide Festival among many others. Clare is a graduate of Directing at the Victorian College of the Arts and is a recipient of the Sidney Myer Performing Arts Award.

In 2023, she was appointed the Artistic Director of Windmill Theatre Company.

Elena is an award-winning actor, writer and director based in Adelaide, South Australia. A graduate of the National Institute of Dramatic Art (NIDA), Elena has worked with State Theatre Company South Australia, Theatre Republic, Windmill Theatre Company, Brink Productions, Bell Shakespeare, Malthouse Theatre, Flying Penguin, Belvoir and Sydney Theatre Company among many others.

Her plays have been presented by State Theatre Company South Australia and Yirra Yaakin. Her screen credits include The Hunting, Irreverent, Heartbreak High, Marking Time, Blue Heelers, Water Rats, All Saints, Murder Call, Children’s Hospital and Snobs.

In 2023, she was a Story Consultant with Highview productions, where she wrote and directed her first short film Blame the Rabbit.

Gareth is a performer, writer and theatremaker based in Sydney. He has performed with Belvoir, Sydney Theatre Company, Malthouse Theatre, Windmill Theatre Company, Bell Shakespeare and Griffin Theatre Company among many others. He is a founding member of Black Lung Theatre and has toured works nationally. His screen credits include The Daughter (Screen NSW/Fate Films), The Letdown (Giant Dwarf/ABC), Hunters (Universal Cable/Valhalla) and Peter Rabbit (Animal Logic).

A graduate of Adelaide College of the Arts, Dylan has worked with State Theatre Company South Australia, Windmill Theatre Company and Sydney Theatre Company. In 2019 he toured internationally with The Secret River.

Meg Wilson is an Adelaide-based interdisciplinary artist and designer. Works include State Theatre Company of South Australia’s Terrestrial (2018), Euphoria (2021), Eureka Day (2021), Windmill Theatre Company’s Amphibian (2018), Patch Theatre (Lighthouse, AF 2020), Restless Dance Theatre’s Intimate Space and Guttered (2021) as well as several works with Vitalstatistix.  

Her GreenRoom award-winning work, SQUASH! with Arts House was part of the Festival of Live Art (FOLA, 2018). She has also exhibited independently with Contemporary Art Centre SA (2015), BLINDSIDE, VIC; Constance ARI, TAS; Nexus Arts, FELTspace and ACE Open. In 2018 she was a resident artist with Urban Theatre Projects (NSW), hand-weaving trampolines for production Right Here. Right Now.

Chris is a lighting and video designer from Adelaide, working across theatre, dance, and other live events in Australia and internationally.

Chris has worked with renowned arts organisations including State Theatre Company of South Australia, Theatre Republic, Is This Yours, Australian Dance Theatre, Brink Productions, Restless Dance Theatre, Slingsby Theatre Company, Force Majure, Windmill Theatre Company and Vitalstatistix.

Chris recently worked on the inaugural Illuminate Adelaide Festival’s Light Cycles in the Adelaide Botanic Gardens crafted by the world-leading studio, Moment Factory. Other recent credits include Carla Lippis’ Mondo Psycho for WOMAD 2022, Theatre Republic’s How Not To Make It In America and Windmill Theatre Company’s Creation Creation.

Richard is a freelance lighting designer. He has lit productions for Melbourne Theatre Company, Sydney Theatre Company, Malthouse Theatre, Victorian Opera, Windmill Theatre Co, Arena Theatre Company, NICA, The Darwin Festival and Back to Back Theatre.

He has also designed the lighting for Stuck Pig’s Squealing, Chambermade, Rawcus, Red Stitch, Polyglot, Melbourne Worker’s Theatre, Aphids and many productions at La Mama Awards. Richard has won 5 Green Room Awards including the Association’s John Truscott Prize for Excellence in Design (2004). He has also been nominated for 8 other Green Room Awards.

Luke creates highly detailed soundtracks for theatre, dance and film, working across all areas of music composition, sound design, foley and sound effects editing. His work is enjoyed by audiences both nationally and around the world.

Working under his business name motion laboratories, Luke has composed and produced soundtracks for many Australian and international artists & companies. Various credits include: Carbon Field (Queensland Ballet), ʻGʼ (Australian Dance Theatre), Glow (Chunky Move), Roadkill, The Ninth Wave (The Farm), Split Second Heroes (Gabrielle Nankivell), SURGE (Dancenorth), The Maids (Sydney Theatre Company), Wildebeest, Neon Aether (Sydney Dance Company), Fugitive, School Dance and Girl Asleep (Windmill Theatre Co).

Nathan has worked extensively in theatre, both nationally and internationally. He has toured Asia, USA, and all across Australia, working for companies including Sydney Theatre Company, Melbourne Theatre Company, Windmill Theatre, State Theatre Company of South Australia, Griffin Theatre, Malthouse, Bell Shakespeare, Brink, Slingsby and Patch Theatre Company.

Nathan was a member of the State Theatre Company Actors Ensemble for 2017 and 2018.

Theatre credits include the title role in Macbeth, Sense & Sensibility, In The Club, A Doll’s House (STCSA Ensemble), Tartuffe (STCSA/Brink), Things I Know To Be True, The Importance of Being Earnest, Hedda Gabler (STCSA), Masquerade (STCSA/Griffin), Betrayal (STCSA/MTC) and the title role of Pinocchio (Windmill/STCSA/Malthouse/STC/NY for the US Premiere Season at The New Victory Theatre on Broadway)

Nathan is an Adelaide Theatre Guide and Adelaide Critics Circle Award recipient.

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko.

He has also worked with Bell Shakespeare, The Border Project, State Theatre of South Australia, Dead Puppet Society, The Last Great Hunt, Sydney Theatre Company, The Escapists, Melbourne Theatre Company, Sandpit, Belvoir St Theatre and Windmill Theatre Co, where he is resident designer. Jonathon has received numerous awards. Most recently in 2016, Jonathon was awarded the Sidney Myer Creative Fellowship and received APDG awards for both Best Production Design and Best Costume Design for Girl Asleep, and received an AACTA award for best Costume for Girl Asleep.

In 2017, he received the Sydney Theatre Award for Best Costume Design for Mr Burns.