Mark Pennington

Mark Pennington

Mark’s lighting credits include Prince of Darkness and Bernstein Mass (Adelaide Festival), Proximity, Worldhood and Ignition (Australian Dance Theatre), The Buried Child, Mnemonic, The Price and November (State Theatre Company South Australia). He has also done the lighting for Blackbird, True West, Assassins and The Birthday Party (Flying Penguin Productions), Ruby Bruise (Viatlstatistix). Mark has…

Jonathon Oxlade

Jonathon has designed set and costumes for Queensland Theatre, LaBoite Theatre, isthisyours?, Aphids, Arena Theatre Company, Polyglot, The Real TV Project, Polytoxic, Men of Steel, Lemony S Puppet Theatre, Terrapin Puppet Theatre, Vitalstatistix and Barking Gecko. He has also worked with Bell Shakespeare, The Border Project, State Theatre of South Australia, Dead Puppet Society, The…

Julianne O’Brien

Julianne is a playwright with numerous stage and screen credits including Blue Heelers (Southern Star) and Backberner (ABC-TV Sydney). She consults as a dramaturg for theatre companies throughout Australia and lectures in story design at Victoria University. Julianne also teaches comedy writing for Swinburne University and writes features for The Age. Julianne was dramaturg on…

Fleur Elise Noble

Fleur Elise Noble is a creator and an explorer – always seeking new ways in which to make art and share it with the world. Her superpower is her ability to focus obsessively on creative tasks. She was awarded scholarships from art schools in Adelaide and New York, where she studied drawing, painting, and sculpture….

Gabrielle Nankivell

Gabrielle Nankivell is a South Australian director and performer with formative ties to Europe. Working independently and commissioned by leading dance companies and training institutions, Gabrielle also maintains a collaborative creative practice with composer Luke Smiles. Gabrielle’s work has been widely presented across Australia, Europe and Asia. 2019 commissions include Neon Aether, a new work…

Rosemary Myers

Rosemary Myers is the Artistic Director of Windmill Pictures. In 2021, she co-created and directed Beep and Mort. In 2015, her first feature film Girl Asleep opened the 2016 Berlinale Generation 14plus and went on to win the MIFF Age Critic Prize 2016, the Grand Jury Prize at the 2016 Seattle Film Festival, 2016 CinefestOZ…

Chris More

Chris studied Electronic Design and Interactive Media at Swinburne. His work with the moving image has led to creative collaborations for live performance and theatre, including Starchaser (Arena Theatre Company), Half Real (The Border Project). He has also worked on Wizard of Oz and School Dance for Windmill Theatre Co, Girl Who Cried Wolf for…

Andrew Howard

Andrew is a founding member of the The Border Project and a sound engineer at the Adelaide Festival Centre. Credits include Despoiled Shore Medeamaterial Landscape with Argonauts (The Border Project) and Disappearance (The Border Project). Andrew has also worked on the productions of The War (The Border Project), The Rope Project (Brink Productions), Please Go…

David Heinrich

David Heinrich is a Flinders Drama Centre graduate. In 1991, he got his first job hosting Couch Potato on the ABC. David’s theatre credits include The Smile Off Your Face (Ontroerend Goed), The Second Hurricane (ASO), Boy Hamlet (Robyn Archer). He has also performed in Mr McGee and the Biting Flea (Patch) as well as…

Sam Haren

Sam is a Creative Director of Sandpit, a company that create immersive, and interactive theatre and personal experiences. Sam was the Artistic Director of The Border Project from 2002-2012, directing or co-directing all of their work during that time. He has co-directed Ghosts Toast and the Things Unsaid (Sandpit/ Google’s Creative Lab), Eyes (Sandpit) and Skeleton…

Quincy Grant

Quincy Grant writes as a freelance composer on commissions from musicians around Australia and internationally. He has worked in theatre with various companies including Brink Productions, Slingsby, Flying Penquin and Windmill Theatre Co. He has also worked in film for various production houses, and plays in many genres from rock to new music and, most…

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